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Pioneer RMX-1000 Effects Unit Review

Pioneer RMX-1000 Effects Unit Review

Pioneer RMX-1000 Effects Unit Review

Written by Ean Golden on May 6th, 2012


In a world of computers and controllers, Pioneer has stayed fast by their postion that dedicated hardware still has a major place in the DJ landscape. The RMX-1000 is no different, providing controllerism-style effects and remixing in a single dedicated FX unit that relies on excellent beat detection to keep it in time with any music source. How does it fair? Let’s take a look.


Reviewed: Pioneer RMX-1000 Effects Unit
 $799 street
Communication: Audio in and out
Available: Soon
Ships with: Remixbox (TM), RMX-1000 Plugin
Weight: 2.86 lbs
Dimensions: 13.14″ W x 6.18″ D x 2.24″ H


The beat detection algorythm and  syncing is quite impressive for electronic music. Pioneer’s three stage work flow of shaping, building, and then killing effects is intuitive and very effective in producing good sounding results. The overall tones and creativity of the effects is excellent with a wide range of unique sounds.

The unit should come with more drum sounds and samples built in (we did have a pre-production unit, which might not be typical). The beat area was highly addictive but there is a lot of room for improvement as a live drumming instrument. At $799 it’s a tough price pill to swallow for just effects – especially with so much effects diversity into Ableton and Traktor these days.


I would probably not spring for one of these in my home studio, instead duplicating some of the good ideas on super knobs and macros in digital sofware with room for future growth. If you found one a club however, be prepared to have a blast remixing and layering the effects on 10 layers thick.



There are three ways we might suggest you would work this into a DJ setup:

1. Send and return via mixer

The most logical use for this device is as a send and return FX unit that effects the master channel of all audio sources. With most mixers you can easilly route the send, return to indidual tracks in order to isolate the results. This is how we tested the unit, and it worked well.

2. Master output from controller or sound card

If mixing internally in DJ software, you could easily route the output of your controller or sound card to the input of the RMX, and then send that output to speakers or a mixer. The RMX would then be your final master stage effecting all tracks at the same time.

3. Input from a deck source and back out onto a single mixer channel

Since the beats are really a sound source of their own, you may want to use a AUX send on a controller or mixer and then route the RMX back in on a dedicated line allowing you to blend in the beats or effects in a more effective wet/dry manner. Since they can be overpowering at times, it would be handy to have an easy blend that builds them in or out of the mix. Elements could be grabbed and essentially “saved” and mixed into the decks even after you have loaded a new song.


The RMX-1000 boasts an internal sample playback section with four banks and four voices per bank. These are polyphonic, so you can play them at the same time. There is an overdub which – while primitive – does allow you to record your patterns and loop them. This rhythm section can be quantized to the master tempo and beat phase (determined automatically by beat detection) making it easy to tap out some decent beats without practicing like Jeremy Ellis.

With pitch control and independent volume level, everyone at the DJTT office that played with the unit ended up jamming on this section the most. It was disappointing that there was only one bank of sounds that shipped with the RMX, but you can load your own via a built-in SD-card slot. Here Laid-Back Luke uses some custom loaded samples in a Pioneer promo video:


This section was a great hybrid of old school EQ isolation with modern tempo based effects. The CUT/ADD feature cuts the frequency to the left, but adds an echo to the right. Watch the walkthrough video below for a demo of each of the Isolate FX sounds. We loved that you can select the input of this section, either the inbound music or the X-PAD beat section.

The big, old-school isolators are great and really fun to play with. Pioneer ups the game by doubling EQ and FX on one knob with the CUT/ADD and 2 other combo effects. While the sound of the 2nd 2 was not to my personal taste, you can customize how the effects sound using the free RemixBox software. The parameters you can adjust are fairly limited but it does allow anyone to load their own personal “pre-sets” on a SD card and update any RMX unit with those parameters. It would be nice to change out the effects, especially on this isolate FX section, but the software only supports tweaking their values for now.


The isolators lead to the main focus of the RMX, its sound shaping effects. These are selected by the 10 presets around the central knob, which controls wet/dry and fades in each effect.  There are two sub-parameters shown above, which can be used to tweak each effect’s sound. The 10 effects were interesting, and while I found myself missing a beat repeat (this is intended to be done in the FX pad section, which doubles as a non-obvious beat repeat area and sample player), most of the effects you would expect from a Pioneer unit are present.

The only work that could be done here is in tuning the wet/dry knob. It didn’t seem to blend the effects in and out as well as we’re used to with Traktor’s effects, and could be sweetened up a little bit. Personally, I would make it a wet/dry macro knob that both altered the effect, turned it on, and balanced the wet dry all in a single sweep.

That being said, these are some wild sounds that provide epic build ups and drama out of almost anything.


This is my favorite part of the unit, and the most clever from a work flow perspective.  The large toggle switch on the right can be pressed down to engage the selected “Release Effect”, kill the music and upon release: turn everything back to normal. The unit is basically set up to create the following musical workflow:

  • Start to shape the sound with the isolator
  • Add a shaping effect to create a build up
  • At the end of the phrase, kick in the release effect for a big moment
  • Then release on the one and the music is back in without any effects

it works really well and with a little practice is easy to get good results. There are 3 hold and release style effects:

  • Vinyl Brake.  Sounds like:  Hitting stop on a record
  • Echo:  Sounds like:  Our popular echo freeze trick
  • Back Spin:  Sounds like:  A vinyl back spin.

Finally, since DJ effects are so popular in music production these days, Pioneer provides the RMX-1000 as a VST/AU plug-in for your DAW software. Since the RMX works as a MIDI controller when connected to the computer via USB, we presume you could use it to create DJ style effects in your songs and then edit the results at will!


Because this is a effects unit, a review only in writing seemed out of place, so I recorded a short walkthrough of the unit to demonstrate each section and provide some feedback.

What do you think? Is the RMX worth the price, do hardware effects make sense? 


Filed under: DJ Controllers, DJ Equipment / Accessories, Reviews, and tagged , , , , , , , , .

  • wooo

  • MPTY

    anyone knows how to replicate any of these effects in Traktor (using FX combo etc.)? that would be greatly appreciated!

  • bigbirdis

    Looks like Pioneer has taken some stuff from Traktor.

  • Taahir

    can u use this with an s4

  • great review.. although, because i can copy most of the features on this unit in ableton or traktor im not gonna go forking out $800 for it.   im looking forward to making my own rack in ableton 🙂 

  • you can use it with any audio source.. 

  • G-Unit

    I think it has some pretty sweet features overall. The price tag is a little hard to chew, but honestly who really pays full price for anything pioneer? We all wait for some noob to buy it not know how to use it then buy it used from him for 600 bucks. At least thats my plan. lol.

  • Stewe

    We can do all of this effects with mappings in traktor. I can bat omeone will replicate it sooner or later.

  • A400712

    wow. laidback luke’s routine sounds improvised. maybe he just had to show most of the effects in 3 minutes.

  • Matthew Ingram

    Well the Echo Freeze type one is simple enough, and the brake should be covered by Turntable FX (in Traktor) I guess you just need to map the button to also kill all (and reset?) other effects on the second press? Or simpler map another button to kill and reset all effects.

  • Pioneer has some great effects….great package…lil too pricy tho just for efx.

  •  the “kill all” should be the efx off/on button located next to the wet/dry knob on the S4/S2.

  • Shishdisma

    I’m not really sure people keep complaining about the price or what software can do. This thing comes in at cheaper than an EFX-1000, and will probably sit around the $700 mark soon. Also, all the people saying that Ableton racks are superior to this are insane. Wiring and Ableton FX rig on stage involves a mess of cables and sound cards, a pile of controllers to keep everything usable, and a flipping laptop dedicated to effects. Running an Ableton S/R setup on stage for a regular set is just not realistic. Plugging in a hardware S/R, however, and not having to build a massive FX rack dedicated to doing what this thing does, isn’t exactly arduous.

    I did like Ean’s little guide on how to plug it in, should cover most of those “HOW I USE THIS WITH S4!?” comments that surround this thing. Then again, that comment might resonate with the the bedroom DJs I mentioned above.

  • Ryan Supak

    In effect (although the user achieves it differently), it reminds me a lot of the EFX-1000. Combining the effects in that unit gets you to a lot of similar places. The 1000 is a very, very deep box and the reverb in it sounds like a Lexicon PCM-60 to boot.

    Personally I wouldn’t go for this one. Most of the music I play won’t be picked up by BPM detection and the Tap button on this seems almost like an afterthought. Also, the design of this box seems to want to point you towards certain uses, but for my part, I prefer more “basic” building blocks.

    I suspect these will be pretty popular though. As others have said, it seems expensive until you really start tallying up what it would really take to replicate this kind of setup with a laptop, software, a soundcard, and controllers.

    And — it must be said — Pioneer stuff seems expensive until you use it for a few gigs. Then you understand why it costs what it does.


  • Emery

    I have been dying for a solution to that with the S4. Builds sound great, but making sure effects and filter are off and bass is up at the drop is not an easy task

  • Stewe

     I did some mapping and found this could be done by inverting button options. Set button interaction mode to /direct/ with value 0 and then switch it to /hold/ and check invert. This way when you press the “kill” nothing happens till you release it.

  • First, I am hip hop DJ (who sometimes plays commercial pop/EDM), so all these additional effects are cool, but completely unneeded for most of my audiences. My audiences know the words to their favorite songs and don’t want your glitch effects messing it up.

    But I can def see the potential for this device, and if I did more EDM, a device like this would def keep me busy, engaged and my sets unique.

    With all that being said thought, $800 is INSANE. Does pioneer realize most of these effects can be replicated in DJ software (like Traktor and maybe even Serato to some extent)? For a hundred more dollars I can get a DJM-T1 (an entire mixer) or for the same price I can get a lot of high quality mixers (with effects) from reputable competitors. 

    Sorry Pioneer, regardless of genres I play, for me to even consider this hardware the price needs to be dropped significantly…

  • Tragik11

    Laidback kinda sucked in that routine a little. But oh well i know the vid was just to show the gadget. Nothing i could not do with traktor effects already so skipping…